The Creation of a Hall Dedicated to the Sami People at the Museo Nacional de las Culturas del Mundo in Mexico City

Authors

  • Luis Alejandro Mosquera Delgado Escuela Nacional de Conservación, Restauración y Museografía (ENCRyM), Instituto Nacional de Antropología e Historia (INAH), Mexico https://orcid.org/0009-0001-0289-8374

DOI:

https://doi.org/10.30763/Intervencion.299.v1n29.78.2024

Keywords:

museography, collections of indigenous communities, museum exhibits

Abstract

The following is a brief review of the creation process of the Sala del Pueblo Sami (Sami People’s Hall) in the Museo Nacional de las Culturas (MNCM, National Museum of World Cultures, Mexico City), of the Instituto Nacional de Antropología e Historia (INAH, National Institute of Anthropology and History). The purpose of this work is to reflect on this type of experience as an essential part of the training of postgraduate students in Museum Studies and Practices of the Escuela Nacional de Restauración, Museografía e Historia (ENCRyM, National School of Conservation, Restoration and Museography), also part of the INAH.

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Author Biography

Luis Alejandro Mosquera Delgado, Escuela Nacional de Conservación, Restauración y Museografía (ENCRyM), Instituto Nacional de Antropología e Historia (INAH), Mexico

Master in Plastic Arts from the Instituto Departamental de Bellas Artes de Cali (Departmental Institute of Fine Arts), Colombia, he studied a master’s degree in Art History at the Faculty of Philosophy and Letters of the Universidad Nacional Autónoma de México (FFyL-UNAM) and the Diploma in Cultural Management (distance studies) from the Ábaco Foundation and the Universidad Católica de Córdoba (UCC), Argentina. He has served as an exhibition coordinator at the Lugar a Dudas Foundation (2010); in the Siqueiros Public Art Room (2013-2014); Parque Galería (2016); Ex Teresa Arte Actual Museum (2017); museographic coordinator of the exhibition Olfactory Sinesthesia (2019), held at the Perfume Museum; Museographer of the exhibition TentaOcular: Desiertos de lo Real (2023), held at the Ex Teresa Arte Actual Museum. Since 2019 he has been a full-time teacher in the Museography Specialty at the ENCRyM-INAH.

References

Cámara de Diputados. (2003). La definición de indígena en el ámbito in-ternacional. Cámara de Diputados. Servicio de investigación y análisis. https://www.diputados.gob.mx/bibliot/publica/inveyana/polisoc/derindi/3ladefin.htm

Museo Nacional de las Culturas del Mundo. (9 de mayo de 2020). La Sala de lapones en el Archivo Histórico y la Fototeca del MNCM. [Facebook]. https://www.facebook.com/MuseoCulturasdelMundo/posts/2593700224184918/?locale=es_LA

Quijano, A. (1992). Colonialidad y modernidad/racionalidad. Perú indíge-na, 13(29), 11-20. https://www.lavaca.org/wp-content/uploads/2016/04/quijano.pdf

Valdés, R. (2023). Guion temático, Sala del pueblo sami. [Guion de la ex-posición]. Museo Nacional de las Culturas del Mundo.

Published

2024-07-31

How to Cite

Mosquera Delgado, L. A. (2024). The Creation of a Hall Dedicated to the Sami People at the Museo Nacional de las Culturas del Mundo in Mexico City. Intervención, 1(29), 282–303. https://doi.org/10.30763/Intervencion.299.v1n29.78.2024

Issue

Section

Reseña de Exposición